Art, Science + Technology

DMA9 Fall 2007, Section B

Archive for November 19, 2007

wk 7 our speaker and space art.

Richard Clar presented some really interesting projects. His projects involved art with space. Some of his projects included tire imprints on metal, interstellar message, the “space dolphin”, and the model of space debris. For some reason, although his projects are important and he is considered one of the first space artists, I don’t find his art interesting. What do I mean? Well, tire prints on steel? I don’t find this interesting at all. Also, a dolphin frame that transmits sound in space is a very inefficient way to possibly transmit messages to an alien race. The model of space debris was very informative and tells the public about another problem that we have that affects our future. We eventually are probably going to expand into space, and the pieces of trash traveling at super speeds are going to be a major problem for us. Also, the interstellar messagehe is working on is interesting. He is working on converting, either sound or some other kind of information, into binary and sending the information into space. Maybe I find these more interesting because it is more practical. But art doesn’t have to be practical, as emphasized during our midterms, so maybe I am just too picky when looking at these projects.

The most interesting thing I found about his lecture, was the anecdote he told about going to the National Navel Research facility and looking at the super computers. He described the computers as beautiful, simple, and elegant. It had red leds that flashed constantly. And he asked the guy giving him the tour, and the guy said that the LEDs have no practical use, they just flash because the artist that designed the enclosure. Here is a super computer with a similar design: http://cache.eb.com/eb/image?id=23890&rendTypeId=4. This was interesting because there are contests of people that have the nicest looking computers (posted a link below). Each computer has the latest, and most powerful hardware combined with the most visually appealing cooling devices to create a beautiful machine. Someday I want one of these monsters.

http://hardforum.com/showthread.php?t=1242650

week 7 :)

                Space art is an up and coming genre of art that draws from technological advances in space exploration.  Richard Clar’s Space Flight Dolphin, which was approved by NASA, aimed to use dolphin sounds to attract extraterrestrials. However, I doubt the sounds of dolphins would inspire contact with alien life forms. Furthermore, I wonder where our money is going. NASA is a government agency, funded by our taxes. Is a space dolphin more important than satellites, which we are sure will work to survey the universe? When does form surpass function?

Gas Pillars in the Eagle Nebula (M16): Pillars of Creation in a Star-Forming Region

                Although art is an extremely important part of our culture, I believe space art should be limited to private enterprises. I’m sure there is a strong market for this emerging art form, and private funding would ensure that the artists are able to more clearly capture their vision. Additionally, money dedicated to space exploration could be used on more concrete ideas instead of being spent on experimental ideas.

http://hubblesite.org/newscenter/archive/releases/1995/44/image/a/

http://www.arttechnologies.com/site-2005/projects/space-dolphin.html

http://en.wikipedia.org/wiki/Space_art

Art in Space, WK: 7

Blair Georgakas 

Our guest speaker, Richard Clar designed a project in which he truly used his creativity to its fullest in order to blend art and technology and throw them into a unique environment, space.  I was fascinated by his originality and curiosity.  Richard Clar designed a dolphin that orbits in space and transmits dolphin sounds.  What was really intriguing about the art piece was that it also had a purpose.  The purpose of it was to communicate or send out messages to extraterrestrials and search for extraterrestrial intelligence.   I was amazed at how many different areas of knowledge he incorporated in just this one project.  In my opinion, it would have been even more successful if there was someway the dolphin in space could also detect messages being sent from extraterrestrial intelligence.  There was no way to find out if the calls from the dolphin were in fact heard.

Why did he choose to make the satellite resemble a dolphin?  Dolphins are commonly recognized as a symbol for intelligence.  While we, human beings, are trying to communicate with other forms of intelligence in space, a dolphin seems to be an appropriate sculpture.  It recognizes the fact that there are many forms of intelligence.  Dolphins also communicate primarily through the “acoustic sphere.”  They can take in 20 times the information from noises as we can in the same amount of time.  While we get most of our information through our eye sight, they get most of theirs through hearing.  The idea is that extraterrestrial intelligence might have a better chance of picking up and understanding dolphin voices.

 

http://www.arttechnologies.com/site-2005/projects/space-dolphin2.html

http://www.arttechnologies.com/site-2005/projects/space-dolphin.html

Other life forms; art and space.

In class on wednesday Richard Clar talked to us about communicating with other life forms through a space dolphin. The dolphin would send out radio waves over billions of miles. I would like to ask Mr. Richard Clar: why does the satellite need to be a dolphin? Although it may look more appealing to the eye, there is no need to make a dolphin satellite. Other than that I thought his idea a little out there, but good. Trying to communicate with other life forms could have a lot of benefits for us. “Aliens” could have alternate energy sources, or cures for some of the diseases that harm the world today. Or as represented by many movies, they could kill us all and take our resources. Although I am not sure if extra terrestrial forms of life exist I believe that if we are meant to find them it will happen.

Life in space

Richard Clar also talked to us about life in space. He said that he believed life on the moon and possibly other planets would be possible within the next fifty years. He went as far to say that there will someday be a Disneyland on the moon. Although I appreciate his optimism I do not agree. Travel into outer space is extremely expensive and a far-fetched idea. Not only is it expensive, it is not extremely safe. If things went wrong there would be tons of lawsuits. The spacecrafts that are used now are only good for 1 time use. This means that a new spacecraft would have to be built or an old one repaired everytime people traveled back and forth. Another rebuttle I have to human life being possible on the moon is that up to this point in time Apollo 17 has the longest stay on the moon which is only 74 hours, 59 minutes, 38 seconds. That is a long way away from establishing life on the moon. I have not even addressed how structures would be built with stability in a place with limited gravitational force and storms. If a house on the moon was destroyed, what would happen to the family, would they be swept away too?

Although I hope that someday communication with other life forms and life in space will be possible, I do not see them happening in my lifetime, maybe at all. Not only is cost an issue, but so is safety in dealing with both of these topics. In concludion I wanted to thank Richard Clar for his passion, dedication, and optimism. It is because people like him that someday life in space might be possible.

Is this our future?

http://www.spaceline.org/flightchron/apollo17.html

be optomistic

                The demonstration by the Neo Nazis in Prague was another occasion where two groups square off. The clash between the anarchists and the Neo Nazis was no more than two violent groups wanting to be confrontational. Throughout history we have faced extreme groups that are hard to deal with. I can imagine it could be very hard for government officials to make decisions on how to deal with these extreme groups. Do you make it illegal for them to demonstrate and take away their freedom of speech, or do you risk a violent conflict and allow them to assemble.  In this case, government official in Prague barred the Neo Nazis from demonstrating in the streets, but the skinheads gathered anyway. It is especially hard for countries like Germany who are trying to put the reign of Hitler behind them and move on when there are groups who try to bring it back. We face similar problems in our country as well in terms of the KKK revivals, it is hard for our country to eliminate discrimination when there are pockets of fanatic supporters. But according to our constitution they have a right to voice their opinions. Governments must reach find a balance between the amount of freedom they allow their citizens.

http://uk.youtube.com/watch?v=ba0l8BG501k

http://en.wikipedia.org/wiki/Freedom_of_speech            When I think of space, I imagine a pristine emptiness with no contaminates. It is alarming to think that we are polluting a place that is thought to be the final frontier. Humans do not even live space, yet they are already polluting it.  As Richard Char pointed out, it is a serious problem. The news of China blowing up a satellite just as a test just shows are carelessness to the situation.  We are polluting an area, and when we try to fix it will already be too late. We must take action if we are to reverse this the detrimental behavior. The moniker “leave it cleaner than you found it” could be have some positive impact on Earth’s orbit. If countries agree to take down a little bit of trash during every mission, we might be able to slowly clean up our orbit. If we are ever to have “Disneyland in space” we are going to have to create an environment where we can enjoy ourselves without have to be worried about flying space debris. http://www.timesonline.co.uk/tol/news/world/asia/article1294688.ece 

http://en.wikipedia.org/wiki/Space_debris

Cosmic Painting

I’ll preface this by saying that I might not be the most qualified person to talk about tonight’s topic of space. I haven’t seen the stars since I arrived here in smog city. I was never much of a stargazer–I didn’t have those little glow-in-the-dark sticker stars you put on your bedroom ceiling–but even I miss our not-quite-next-door neighbours once in a while. It got me thinking about how little value we place in the galaxy beyond our fragile atmosphere. We’re no more than a biodome (or biosphere, rather) among the other planets all around; and yet never do we get the claustrophobic feeling of isolation that should reasonably come with the property. You might say it’s relative size–we’re teensy, so the Earth is pretty roomy by our standards. Yet if you were to take all the spaces that you occupy in an average day–every room and enclosed space–and added up the volume, it’d be pretty darn small. Each building and room and hallway we inhabit is even more limiting than a biodome would be; yet we’d feel more uncomfortable inside the latter than the former.

Why? Maybe it has something to do with the fact that despite the amount of time we spend indoors, the outdoors is always right there, through the window or door. It’s so close, so comfortable, so reachable, that we simply take it for granted. At the same time, it’s full of alien things; our personal contact with the world’s content is extremely limited. It was for this reason that we sought to learn about our surroundings, to discover what’s out there and integrate it into our schematic of what our world is. It’s the focus of political thought today, with people calling for others to act as the world’s citizens, not a nation’s: develop a more complete, global conception of who you are.

However, as much progress as we may or may not be making on our own planet Earth, the heavens above us seem as distant as ever. The more inclusive we are of our planet, the more exclusive the collective conscious seems to focus on outer space.

Doesn’t anyone else here feel claustrophobic?

It seems to me that just as a person isolated to his home would have the Earth to impress upon him his relative size, so should a person ‘isolated’ to the Earth have something within reach to put the Earth in its place. But space is not within reach. Sure we have the technology to send things up there, but an insignificant portion of people have experienced it, have explored and learned it, have taken it back home where it can be absorbed into the earthly schematic. Space is ‘familiar’ in some ways to those in the communications business–what with satellite technology behind cell phones and other apparatuses. Space is ‘familiar’ in some ways to those in the military, or the military industry, or the military-industrial complex; it’s the next frontier of warfare that nations are using to dominate others. Space is ‘familiar’ in some ways to astrophysicists and all those other scientists with complicated labels, with such detailed and obscure knowledge that any average Joe would be baffled by hearing a fraction of it. Yet the ignorance of the average Joe is exactly what should be changed.

Art, I think, has always been able to familiarize people with ideas. Whether it symbolically represents an idea in a sympathetic figure; or it depicts the foreign in the universal language of sight, or music; or it could simply be a representation of a thing beyond an ordinary person’s reach, putting it somewhere available for scrutiny. Through these and a multitude of different communicative mediums, art brings things closer. It’s depressing to think of the prohibitive restrictions that prevent art from reaching outer space and how many potential connections were preemptively severed. Practicality in mind, there are warrants as to why it’s so difficult–my random idea of ‘cosmic painting’, for example, which started this whole train of thought, would involve scattering different magnetic or mechanical particles across a huge portion of space and leaving them in orbit, whereupon the sunlight’s altered reflections would create a grand image against the night sky for those observing from the earth (and even better, if the particles could be moved and rotated to create new images from time to time). The impossibility of this working is clear when you factor the costs involved, the damage it would do to current orbiting satellites, the difficulty it would create for launching further projects into space, etc., but I still feel a loss at the thought that an artistic endeavor such as that one will never come to fruition. We’ve managed to create art out of everything here on Earth, place it everywhere. I’m sure one day art will access the cosmos as well, in a way that is accessible and appreciable by just plain old people like me.
After all, ‘vacuum’ is just another way to say ‘blank canvas’. Let’s paint.

week 7: space and art

space

I have always believed that it is extremely narrow-minded to think humans are the only intelligent life populating this universe. With the boundless nature of space, why then would there only be a single race of intelligent life? I never really got it. How could humanity, with all its intelligence, dismiss the possibility of another form of intelligent life? I suppose humanity is vein and would rather not have its intelligence disputed by some other race or being. Its discomforting to think that there are other, alien races out there, perhaps conspiring to thwart humanity and steal our precious planet from our clutches. This has, of course, been the premise of many, many, movies, television shows and books. I suppose we humans have done a lot of very dumb things over the years and this sort of falls in line with a few lines of illogical thinking but it still doesn’t make a whole lot of sense to me.

Regardless of humanity’s view of extraterrestrial life, our sense of awe regarding the vast voids surrounding this tiny planet has always struck me. I’ve loved the science, the artistic interpretations and everything in-between. Part of me will always wish that I was born in a time where humanity has been flung across the stars, but as things stand now, I am content with simply looking out from earth’s small vantage point.

Week #7 Space Art

Ceramic art in Space?

     When Richard Clar started talking about his days in a high school ceramics class, I remembered the days I was in a ceramics class in my sophomore year of high school.  At first I didn’t wanted to take it because I couldn’t art, but now I am really glad that I did take it.  I had the opportunity to make some semblance of art.  There are a lot of direction and guidelines in making ceramic projects for class.  How well the projects followed the direction mainly determined the grade rather than its artistic properties.  So, I found it amusing that Clar failed all his projects because he didn’t follow the directions.  Although I did follow direction, I still consider my finished projects my personal art. 

     In ceramics class, I learned about some various uses for it.  Aside for being used as a container or art, ceramics can also be used in science.  For example, ceramics can withstand high temperature, so it can withstand the heat that accumulates from reentry from space to the earth.  So, ceramics is used to cover the parts of the space shuttle to protect it from the heat.  A way to combine art, science, and technology here would be to some how embed an artistic design into the ceramics that would look beautiful when ignited by the heat of reentry.

Can space debris become a danger in the future?

     What happens to trash, or debris, in space?  Some will probably be incinerated as it reenters the earth, but there are also some that will orbit around the earth at the orbital velocity.  Such debris can adversely affect future space missions or existing satellites.  The debris traveling at orbital velocity can cause severe damage upon impact to satellites or weak spots in shuttles or space stations.  Moreover, there is Kessler Syndrome to consider.  It is where one piece of debris destroys a structure and thereby causing more debris that will hit other structures that will create even more debris.  This is basically a chain reaction of debris making more debris, which can make space travel difficult.

     I first learned about the space debris problem because it is the main bases for a Japanese anime show call Planetes. In that show, space debris damaged a commercial space-plane that killed some of its passengers.  This led to the development of space debris collect, or basically janitors in space.  It is interesting to note that space debris is a concern in the real world and there are measure taken to limit the growth of it.  As space travel become more common, space debris will probably become more of an issue.

 

 http://www.finecraftsimports.com/arts_crafts_images/talavera_ceramic_pot_131315-3.jpg

http://news.bbc.co.uk/nol/shared/spl/hi/pop_ups/03/technology_/img/2.jpg

http://www.strangehorizons.com/2006/20060102/tiles.jpg

http://www.spusa.org/mindfull/wp-content/uploads/2006/12/750px-debris-geo1280.jpg

http://members.buckeye-express.com/schnuth/planetes.jpg

Life in Space and Entertainment in Space

One of the many things we take for granted in our lives on Earth is the Earth’s gravity. Without certain amount of gravitational force, it would be impossible just to walk around. Though there is option to bounce on other objects to hover towards the destination, our human body isn’t yet fit to be move as we desire in mid air. So when we do venture our lives into space, I hope that there would be some kind of solution for creating artificial gravity.

One of the concept to create artificial gravity is through utilizing the centripetal force. Simply put, think about the umbrella on a rainy day. By spinning the umbrella’s handle, the rain drops on top of the umbrella slides off the top. By designing the living structure ring like shape with a rotational axis, the whole living structure can be spun and force everything inside the ring to be forced towards the outer edge of the ring. This force could act as gravity of the living structure. There would be many problems, but one of the bigger problem would occur when the structure breaks apart. The broken part may begin to drift away from the rotational axis, and there wouldn’t be much of object(s) capable of stopping this broken part without completely destroying it. (Space debris may not be big enough to slow it down, while planets would be too big, and destroy the section upon collision.)

During the Q&A, Richard Clar mentioned The Disney Land in space. Currently, many of the rides in theme parks depend heavily on creating zero-gravity situation for the riders. Roller coasters have drops in their tracks that create zero-gravity situations while it drops. Problem would be that theme park in space would be constantly in zero-gravity situation. Just sitting on a fast moving roller coaster would be thrilling with high speed, but not much ’scream factor’ since dropping down to ground wouldn’t be much of a factor. In other words, theme parks in space need a whole new concept of entertaining people. Haunted house-ish rides that depend on surprising people may still have similar effect, but loosing the big rides that create artificial zero-gravity would make it feel like that the parks are missing a big part.

SETI=Worthless

What is Spaceflight Dolphin’s purpose?

SFD’s original purpose is to broadcast a signal that extraterrestrials can potentially understand, hence, the overall purpose is to establish contact with aliens. Richard Clar had a fairly decent idea of taking an unsure science, that is, a science that no one is sure really exists (aliens), and trying to blend it with art to make another wonderful hybrid of art, science, and technology. Clar’s ideas for SFD are actually extremely primitive. It’s sort of like putting a missing child’s face on a milk carton. By broadcasting a signal to the rest of the universe, we are telling other forms of life that are potentially there that we are also with them. We, human beings, are just waiting to be found by another form of intelligent life. On the other hand, Clar’s ideas were in fact very ahead of his time. Who in 1982 would think of putting a radio dolphin in space?

But thats the thing, who would put a radio dolphin in space in the first place? The idea is silly. Not only is it silly, but it is fundamentally nonsensical. I do not doubt the possibility of extraterrestrial life, but, I must look at the practicality of things like Spaceflight dolphin. First off, who says that these radio frequencies can even be sent that far? Even if our signal reaches billions upon billions of miles, far beyond the possibility of physical space exploration, who says that aliens are in that radius? Of the billions of stars in that range, how many more trillion are out there? How many planets, stars, and galaxies are really getting the signal? Secondly, assuming that something even gets the signal, who says they’ll even have the potential of decoding it? If humans were on this planet with no technology and an intelligent life form sent us a radio signal, we wouldn’t notice it! Do these people not understand glaring holes in their ideas? Lastly, assuming they get it, and understand it, who says that they will even care? Who says that we won’t just scare the hell out of them, or worse, start a war?

Even if we ignore all of this, and just say “well, it’s worth a shot. I mean, it’s improbable, but it could happen!,” we ignore one simple fact: Things like this are a horrible drain on our economy. NASA does not need to be spending money on space dolphins. Why not put that money towards cancer research, or an equally important cause? It’s just a giant waste. Like I said, I commend Richard Clar’s creativity, as well as his idea, but it’s just not something that is practical or is even fair to taxpayers. Our culture needs to draw the line between a good idea and a purely inane (inane, not insane) one.

http://www.arttechnologies.com/clar-sfd.html

http://en.wikipedia.org/wiki/SETI

http://en.wikipedia.org/wiki/SERENDIP

http://www.seti.org/

http://en.wikipedia.org/wiki/Wow%21_signal

Art, Science, Technology & Communication

The  Dolphin

            Richard Clar brought about a fascinating twist on art and technology with his presentation on his very own art-in-space project, the Space Flight Dolphin. I was interested, distinctively, with his use of a dolphin in this project. The dolphin, Richard explains, “Is an analogy in the way dolphins communicate on earth and how they might communicate in the vast oceans of deep space. A signal of dolphin ‘voices’ transmitted by magneto acoustic waves might be recognizable to ETI”. His use of a dolphin, rather than any other animal/ object is ideal for this type of development. Another point that Clar brings up that interested me, in direct relation with his project and our art, science and technology class is the fact that “human beings communicate through art with symbols that transcend the boundaries of time and culture.” Richard Clar therefore, found it appropriate to attempt communication with extraterrestrials through a dolphin, as a medium.

Art/ Technology & Communication

 Back to the point about communicating through art; we tend to use art and technology, in our modern world especially, to communicate. The creation of the television, telephone, radio, computer/ World Wide Web, have all been human breakthroughs through art, science and technology, developed through time, to enhance our communication with others. Without these human developments, communication among the human race is complicated. Richard Clar used this in order to develop Space Flight Dolphin and attempt to communicate with other life forms in this universe. If there is life out there, I am sure that it will/ already has been found. The technology in our society today is very well capable of anything. Individuals like Mr. Clar are making communication with extraterrestrial life a reality.

http://www.arttechnologies.com/clar-sfd.html

http://www.aliomarermes.co.uk/press/view_citation.cfm?press_id=44

http://en.wikipedia.org/wiki/Nanotechnology

Creativity

Richard Clar’s presentation really brought to my attention the vast arena of art and creativity. In the beginning of his lecture, when his explanations were simple, he spoke of his art with tiretracks. I also remembered Julie’s midterm, with nail polish painting. And once again, this leads to the question of what exactly is art? And what makes this art scientific? Pretty much any art is scientific because it deals with an object of some kind, which will have some scientific explanation of existence and performance.
And I thought about how an artpiece on a canvas is an art, and how photography is an art. So a photograph of an artpiece is an art. And is a photograph of that photograph an art? When does it ever stop being an art? Never. Art and science are so similar because it is up to an individual’s interpretation how artistic or scientific something is. It is very ambiguous, because there are no rules.

art_modern_art-merello_blue_fantasy_to_zons.jpg

portra_dreierduchamplg.jpg

Richard Clar should not stop there. In addition to the tire tracks, he should experiment with human footprints, walking, running, crawling, cartwheeling, whatever! What about dog pawprints? Birds footprints, snakes slithering on canvas, bicycle tires, tricycle, unicycle, tonka cars, skateboard tracks while Tony Hawk performs crazy tricks. And if we’re doing prints of stuff, why stop with feet and transportation tracks? We can move onto hand prints, faceprints, and all kinds of designs. The possibilities are infinite. That’s why many of the modern art pieces are considered random. But I personally love modern art, I love trying to figure out what was going through the artist’s mind when he/she was creating an art piece. I also love trying to figure out what this artist was trying to say to me, the message of the art piece.

http://www.arttechnologies.com/

http://www.eda.ucla.edu/?id=494

http://www.aspectmag.com/issues/artistdetail.cfm?artistID=139

http://www.art.com/

http://www.deviantart.com/

Wk 7: Proof and Nanotech

Proof of Alien Existence

Spaceflight Dolphin was created “solely as a method to communicate to extraterrestrials” or so it was according to its mission statement. But what if someone responded? Could we have detected it? Not with the dolphin that was orbiting the earth. So what if we used some other sort of space monitoring to detect some sort of response? Could we have even proved that it was some sort of extraterrestrial? We might want to first consider what can we prove or an even more perplexing question ‘Can we prove anything?’

If we dive shortly into the subject of science – where most of the proving in the physical world is done. We would find that there is an interesting and highly controversial theory from a scientist by the name of Karl Popper. His theory is that there is no reasonable way to predict the future even if it has been observed countless times before. He takes this idea to the extreme to say that there is nothing that can be proved, only ideas that can be disproved and corrected. For example:

“just because the sun has risen every day for as long as anyone can remember, does not mean that there is any rational reason to believe it will rise tomorrow. There is no rational way to prove that a pattern will continue in the future just because it has in the past.”

He calls this idea, the Problem of Induction and is also known as falsifiability. Its basic idea is that in any observation or experiment they can only be shown to be wrong. Through no number of repeated results can something be shown to be true. This is because only through observation can we make these statements. Our methods of observation is constantly changing and we often find that our previous experiences were often very limited, and so we could assume that our current ideas and methods of observation do not see and account for everything. So is there anything that can be proven? Can we even answer that question with certainty?

Does NASA use this view of thinking? It is most likely they did not, when they accepted the Spaceflight Dolphin into their program as having scientific applications.

Nanotechnology

Nanotechnology was introduced to us during lecture this last week. I feel a particular interest in this topic for many reasons. I made a research project of this topic last year and it influenced me in my choice of major here at UCLA. There are countless theoretical applications that can result from nanotechnology. I’m sure that there will be many ways to apply the already amazing technology in art form.

First a basic understanding for what nanotechnology is about. The general rules for classifying something as nanotechnology is not all that strict. It is simply any science and technology that can be measured on a nano-scale. This is usually 1-100 nanometers. A nanometer is 0.000000001 meters. The amazing results that come from these particles are mainly due to the fact that as a material is broken down and made smaller and smaller, the surface area increases, which controls how well something reacts or prevents a reaction.

So how about some examples of nanotechnology in use today? Well there are many examples on http://www.nanotech-now.com/ and many applications are used in consumer products today! Some examples are stain resistant pants, odor fighting socks, cosmetics, water filters, and sports balls that are more durable. This technology is the forefront of much research and is constantly being updated. For example on Sunday at 7:32PM it was published that South Korean Scientists developed a nanomaterial that can find and suppress cancer growth.

So how will this be used to create art? And when? Well we may have just started using this technology for applicable methods, but that does not mean that artists should be left out of the loop. An artist could use used the amazing results of nanotechnology to comment on something that has no application towards nanotechnology.

For example one could use a demonstration comparing how much work it would have been for the “stay at home mom” to clean carpet before the invention of the vacuum cleaner, and now how it doesn’t matter if pants get spilled on because they won’t even stain.

http://en.wikipedia.org/wiki/Karl_Popper
http://en.wikipedia.org/wiki/Falsifiability
http://en.wikipedia.org/wiki/Problem_of_induction
http://www.smalltimes.com/articles/article_display.cfm?Section=ARCHI&C=Educa&ARTICLE_ID=269012&KEYWORDS=eddie%20bauer%20nano%20care&p=109
http://en.wikipedia.org/wiki/Nanotechnology
http://www.nanotech-now.com/news.cgi?story_id=26425
http://www.iscid.org/encyclopedia/Applications_of_Nanotechnology

Week 7: Space Art

Alma da Agua (link)

After hearing Richard Clar speak in class and seeing some of his projects, I decided to learn more about his works. One interesting project I came across was “Alma da Agua”, which means “soul of the water” in Portuguese. I am not sure if the project went through (the idea came up around 2005), but the basic plan was to mix water from different locations in space. From a scientific point of view, there is no benefit to the project. Clearly this is a work of art that symbolizes unity – the unity of the 8 Portuguese-speaking countries under the new Portuguese Space Agency and its addition to the European Space Agency (It’s like cutting the ribbon in an opening ceremony!). Water samples from natural resources in Portugal, Brazil, Angola, Mozambique, Cape Verde, Guiné-Bissau, São Tomé e Príncipe, and East Timor were to be put on a Brazilian sounding rocket and blended with a liquid mixing apparatus once it reached space. Portugal had been behind in space technology, so hopefully the launching of the PSA will result in the desirable advancement.

< an artistic space-like depiction of “peace”

Earthstar (link)

There are many problems in the world today that we may sometimes forget about living in a stable country. From famine to the war in the middle east, we all hope for one thing: peace. Richard Clar thought of a meaningful way to portray the desire for peace through a space art project utilizing the idea of eutectics (which deals with the lowest melting point of a material). He proposed to collect minerals from countries that have recently or are currently involved in armed conflict, and take them on a space craft so that upon reentering Earth’s atmosphere, the heat would melt them together as one ceramic piece. It’s important to note the shape of this piece: a pentagonal star, which symbolizes 2 things. Firstly, the star is imagined to span the Earth’s surface in a way that the lines pass through the warring countries and the center is Crete.

Secondly, the pentagonal star is created through the golden ratio (math + art)! The final product will be displayed on a tile to be incorporated into a recoverable spacecraft.

The website of Brian Smallwood, a space artist

The website of Joe Tucciarone, a space artist

 

Space and Art

Similarities between Space and Art

The most overwhelming connection between space and art must be the limitless opportunities that exist within them. In art, just as in space, there are no boundaries. There is nothing restrictive, or at least there shouldn’t be. There is simply a limitless chance to discover or create something new. In addition, the controversies that arise due to the two subjects also serve to connect them. It’s ironic that a similarity between the two subjects exists because of the differences that exist within them. Both space and art are highly contentious areas. It is not guaranteed that any two people will agree on a principle of space travel, just as it is not guaranteed that two people will appreciate a piece of art in the same way. The important thing is that we don’t agree on everything. If we did, much of what we know, the third culture, and even this class, would not exist.

Extra-Terrestrial Life

The search for extra-terrestrial life is an ongoing one. Ultimately, I don’t know if it will ever stop. If we never make contact, there will still be more people that keep searching. If we do make contact, we certainly won’t stop there. We will strive to make more contacts; to search even further in the conquest of proving that we are not alone in the universe. Personally, I’m torn about the subject. The human body, the earth, the atmosphere; they are all so intricate and specific. It would be very, very unlikely for these conditions, or ones that permit life, to exist elsewhere. And yet, I come back to the point that the universe stretches further than my mind can possibly understand, so the opportunity must at least have a chance to exist. It is my sentiment that we must conceive possibilities as we do opportunities. Thus, the search continues…

http://en.wikipedia.org/wiki/Extraterrestrial_life

http://www.krysstal.com/extrlife.html

http://www.space.com/searchforlife/

http://channel.nationalgeographic.com/channel/extraterrestrial/

http://www.seti.org/

So are we alone in this universe?

The question has been posed for centuries. Are we the only ones living in this entire universe? We have often times tried to communicate with outside life. A prime example that was brought up on monday was sending a space dolphin into space and sending out signals with hopes of communicating to extraterrestrial organisms. however, despite all the methods that were brought up, not one of them seemed rational. well, until quite recently actually.

I read in DISCOVER magazine’s december 2007 article (thats right, dec 2007 =]) about a scientist (David charbonneau… you can google him) who decided to study exoplanets. That by itself was a brilliant start for all this. Rather than trying to communicate with life outside, why not just take the initiative to find them? communicating with them would be quite hard, especially if we were searching for not just humans, but perhaps plants, bacteria… like they could interpret a dolphin call or sonar waves. After mapping out the seasons for the exoplanets, he found the ones that are quite similar to the environment here on earth. Rather than looking aimlessly for life, he found a target. A current project in arizona is going on to build two telescopes to target his planets, to decide once and for all whether there is life  other than us in this universe… or at least a vast amount of it. however, if these planets that are SO similar to earth do not pose any life on it at all, perhaps it is safe to assume that we are alone after all… and that the Big Bang needs some more explanation and depth to it. Creationism isn’t sounding too bad at all…

W7: Richard Clar, Space and Beyond

Do aliens really exist? There certainly isn’t any proof that they don’t. There are people who are adamant in their belief that we are the only form of life in the universe. However, I feel that everyone should adopt a view analogous to that of agnostics and religion. We shouldn’t deny that aliens exist. Instead, we should be open to their existence and fully accept their presence when we prove that they exist.

Regardless of whether or not aliens exist, we should make an effort to contact extraterrestrials. Richard Clar’s spaceflight dolphin project, not only tries to contact aliens, but it is also the epitome of the third culture. A sculpture/satellite in the shape of a dolphin which broadcasts magneto hydrodynamic waves, it embodies art, science, and technology.
space flight dolphin

To better understand what space art is, I felt that Roger F. Malina’s definition was adequate. The definition is here. What I’d like to draw attention to is definition 4: art on earth, viewed from space. Although Malina’s definition points towards contemporary art, I felt that certain historical constructs were the first forms of space art. In particular, the Great Wall of China. The first man made structure to be seen from space, such a construct of extensive proportions surely deserves to be called art. It also utilized the most up to date technology when it was built though such techniques are considered archaic by today’s standards.
Great Wall from Space

To conclude my point, I felt that is was appropriate to acknowledge that the Chinese were the first to create space art.

Art Tech
Great Wall